But I’M A Cheerleader: A Cult Classic Explored

In the glossy sheen of Hollywood, where rom-coms often tread a weary, well-worn path, there lurks a brash misfit that pirouetted onto the scene in 1999 and refused to leave. ‘But I’m a Cheerleader,’ Jamie Babbit’s debut feature, cartwheeled into the margins of cinematic history with a pink and blue pom-pom in each hand—a cult classic that, over two decades later, refuses to dim its technicolor hue. Now, let’s lace up our cheer sneakers and leap into why ‘But I’m a Cheerleader’ continues to be a rally cry of subversion and salvation for those who find sanctuary in its message.

‘But I’m a Cheerleader’ Years Later: Still Subversive and Relevant

Packed to the brim with camp and color, ‘But I’m a Cheerleader’ trumpets the tale of Megan—a high school cheerleader whose picture-perfect life cartwheels into chaos when she finds herself shipped off to a conversion therapy camp. The initial reception? A mixed bag: some hailed it as an audacious stroke of satire, while others were lost in translation.

  • Overview of the film’s premise and initial reception.
  • Megan’s suburban life, her unsuspecting parents, and the shock of her conversion therapy.
  • The film’s polarizing debut amid the cinephile circuit.
  • Enduring themes that still resonate.
  • A dissection of the pink and blue prison of gender roles.
  • Sexual identity and the hazardous quest for authenticity amidst societal suffocation.
  • Societal expectations versus self-realization.
  • The film’s reception: from past to present.
  • The initial head-scratches and eyebrow raises have ripened into reverence.
  • ‘But I’m a Cheerleader’ as society’s mirror: reflecting the progressiveness and pitfalls alike.
  • Insights into the audience’s growing embrace of the film’s defiant heart.
  • But I’m a Cheerleader

    But I'm a Cheerleader


    “But I’m a Cheerleader: The Ultimate Collector’s Edition” transports you to a world where camp comedy meets social commentary in this satirical gem from the late 90s. This special edition DVD is packed with remastered visuals and an exclusive behind-the-scenes look at the making of this cult classic. Starring Natasha Lyonne and Clea DuVall, the film tackles themes of sexuality and identity through the story of Megan, a high school cheerleader whose parents send her to a conversion therapy camp to “cure” her lesbianism.

    Experience the vibrancy and quirk of director Jamie Babbit’s vision with the enhanced color correction that brings out the film’s unique palette, from the overly feminine decor of True Directions to the lushness of the world outside its restrictive walls. Fans will be thrilled with the additional content, including commentary from the filmmaker and key cast members, which sheds light on the impact the film had on the LGBTQ+ film landscape. Moreover, lost scenes and interviews with the actors add depth and nostalgia, ensuring this edition is a must-have for both long-time admirers and newcomers intrigued by its cult status.

    Dive into the bonus feature documentary that explores the legacy of “But I’m a Cheerleader” and its role as a pivotal piece in queer cinema. The influence of this audacious and colorful movie is discussed by a range of commentators, from film scholars to advocates within the LGBTQ+ community, highlighting how its humor and heart have continued to resonate over the decades. Exclusive to this edition, a digital booklet includes photographs, original artwork, and essays that celebrate the film’s journey. Whether as a gift or a personal treasure, “But I’m a Cheerleader: The Ultimate Collector’s Edition” offers an immersive look into a film that has provocatively danced its way into the annals of indie film greatness.

    Behind the Pompoms: A Closer Look at ‘But I’m a Cheerleader’

    Babbit’s pastel prowess didn’t emerge out of thin air; it sprouted like a daisy in a battlefield. ‘But I’m a Cheerleader’ finds its seeds sown in the rich soil of late-90s indie spirit, amidst tempests of creative courage and political subtext.

    • Peeking into the production cauldron.
    • The film’s adventurous path from paper to screen.
    • Indie darlings and studio spats: mounting a movie against the grain.
    • Jamie Babbit: an artistic visionary.
    • Babbit’s genius: tethering a serious message to a helium balloon of satire.
    • A magnifying glass on Babbit’s strategic strokes of directorial dexterity.
    • The pastoral palette of ‘But I’m a Cheerleader’.
    • Riveting discussions on aesthetic choices as narrative vehicles.
    • The significance of style: does form follow function, or is it the cheerleader at the top of the formation?
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      Category Information
      Title But I’m a Cheerleader
      Release Date 1999
      Director Jamie Babbit
      Screenwriter Brian Wayne Peterson
      Genre Satirical Teen Romantic Comedy
      Plot A high school cheerleader’s parents suspect she is a lesbian and send her to a conversion therapy camp to “cure” her.
      Notable Cast Natasha Lyonne, Clea DuVall, Melanie Lynskey, RuPaul Charles, Cathy Moriarty
      MPAA Rating R (for strong language and sexual content involving teens)
      Themes LGBTQ+ identity, Satire, Critique of conversion therapy
      Parental Guidance Note Involves emotional abuse and inhumane treatment related to conversion therapy practices, such as the use of a doghouse for punishment and tasers for enforcement.
      Critical Reception Generally positive reviews for its satire and meaningful critique on conversion therapy and homophobia, but some critique on execution.
      Legacy Cult classic known for its early commentary on LGBTQ+ issues and conversion therapy. Often referenced in discussions on cinema’s role in challenging social issues.
      Relevance as of 2023 Given the ongoing debate regarding LGBTQ+ rights, the film remains a pertinent cultural artifact and educational tool.

      Satire and Stereotypes: The Mastery of Tone in ‘But I’m a Cheerleader’

      Amidst the flick’s frothy surface, a blade poised to slice through social facades gyrates — the satire of ‘But I’m a Cheerleader’ is a scalpel dance, one that waltzes past your defenses with laughter before it cuts deep.

      • Balancing act: when satire meets sensitivity.
      • The tightrope trek of lampooning while enlightening.
      • How Babbit’s film uses the spoonful-of-sugar approach to the medicine of messaging.
      • Society in drag: a critique clad in stereotypes.
      • The parade of characters: more than just caricatures?
      • What the film whistles at: society’s penchant for pigeon-holing preferences.
      • Humor as a hammer.
      • Laughter, not as an escape, but as a wrecking ball for walls of ignorance.
      • How ‘But I’m a Cheerleader’ jests to unsettle and usher in a new zeitgeist.
      • The Cast of ‘But I’m a Cheerleader’: Ensemble Chemistry and Breakout Stars

        Every rebel yell needs a voice, or in the case of ‘But I’m a Cheerleader,’ a chorus. The ensemble is less a cast, more a catalytic cocktail that erupted into pop culture psyche.

        • Casting couch chronicles: mixing and matching.
        • Behind scenes and screen tests: how the lineup was formed.
        • The alchemy of the pitching process, shaking up expectations and norms.
        • Spotlight on the stars.
        • Dueling dynamism: Natasha Lyonne’s Megan versus the conversion camp cohorts.
        • From cast to constellation: the gleaming destinies post-film (like the Pitch Perfect 3 cast and their latter-day legacies).
        • An actor’s journey in retrospect.
        • Beyond the cheers: the trajectory of the stars’ careers.
        • The influence of ‘But I’m a Cheerleader’ on the paths these actors carved out, akin to how the Crazy Rich asians cast made waves.
        • Groovy In My Cheer Coach Era Cheerleader Cheerleading T Shirt

          Groovy In My Cheer Coach Era Cheerleader Cheerleading T Shirt


          The “Groovy In My Cheer Coach Era” Cheerleader Cheerleading T-Shirt is a vibrant and trendy piece of apparel that captures the energetic spirit and dedication of a cheerleading coach. Made from a soft and comfortable cotton blend, this t-shirt is not just a fashion statement but also a celebration of the influential role that cheer coaches play. The shirt features a retro-inspired design with groovy fonts and colorful graphics, making it a perfect fit for those who appreciate a touch of nostalgia combined with modern style.

          Ideal for wearing to practices, games, or casual gatherings, this t-shirt is designed to offer both style and functionality. It is lightweight, breathable, and cut to a flattering fit that allows for freedom of movement, which is crucial when demonstrating routines or leading a squad through their paces. The durable print holds up well under the rigorous conditions of coaching, retaining its bright colors wash after wash.

          This “Groovy In My Cheer Coach Era” T-Shirt is a fantastic way for cheer coaches to express their passion for the sport and their role in shaping enthusiastic cheerleading teams. It’s a great gift for the coach who brings out the best in their athletes, providing motivation and inspiring confidence with a cool, contemporary edge. To complete the look, the t-shirt can be paired with athletic wear or jeans for a casual, yet eye-catching ensemble that truly says “I’m in my cheer coach era.”

          A Cult Phenomenon: Audience Reception and the Growth of ‘But I’m a Cheerleader’

          Initially dismissed as just another teen flick, ‘But I’m a Cheerleader’ transcended its stilted start to anchor itself in the harbors of heart and heritage.

          • Critical confetti versus fan fervor.
          • Box office bafflement giving way to backyard vigils.
          • From fringe flick to flagship of self-expression: the incremental idolization of ‘But I’m a Cheerleader’.
          • More than a movie: a movement.
          • From rainbow gatherings to screened salutations: the nurturing arm of the LGBTQ+ embrace.
          • How the internet’s omnipresence, like Function Of Beauty in the hair care space, galvanized the gospel according to ‘But I’m a Cheerleader.
          • The confluence of commerce and community.
          • When fanfare ferments into festivals: the midnight musings and meet-ups.
          • ‘But I’m a Cheerleader’ as a template in togetherness—are we all just a trip to Dolphin Mall away from finding our tribe?
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            The Visual Palette: Deconstructing the Iconic Stylistic Choices of ‘But I’m a Cheerleader’

            While the film’s dialogue dissects with surgical incision, the visual symphony conducts an orchestra of its own. Let’s strip the sets, unscrew the bulbs, and unpin the wardrobes, one swatch at a time.

            • Deconstructing the design deities.
            • Set pieces that speak louder than words—barring hushed hues.
            • When color bleeds meaning and sandwiches subtlety between its technicolor teeth.
            • Themes threaded in textiles.
            • Costume choices not just for dress but for dialogue.
            • The behind-the-seams secrets: what a splash of pink or a dash of blue signals.
            • Cut from the same cloth?
            • How ‘But I’m a Cheerleader’ dressed successors in its sartorial savvy.
            • The blueprint of Golden Blonde hair—not just a shade but a statement.
            • ‘But I’m a Cheerleader’ and the LGBTQ+ Film Canon: An Influence Felt

              In the grand tapestry of LGBTQ+ cinema, ‘But I’m a Cheerleader’ is both a bold pattern and needle pushing the thread—its influences stretch far and wide, touching upon successive creations with gentle persistence.

              • Positioned within the panorama.
              • Mapping ‘But I’m a Cheerleader’ on the cinematic spectrum—adjoining landmarks in LGBTQ+ storytelling.
              • How it nods to predecessors while elbowing space for the future—stitching its narrative into the wider weave.
              • Ripples in representation.
              • Tracing the trickle-down effect of Babbit’s bombastic bomb.
              • The cross-pollination of cinema and television: ‘But I’m a Cheerleader’ as genetic donor to a burgeoning family of crafted narratives (echoing how Emma Seligman stirs the storytelling pot).
              • A chorus of influence.
              • Critics’ choir: serenading ‘But I’m a Cheerleader’ from multiple stages.
              • The film as a touchstone text in academia and beyond.
              • But I’m a Cheerleader (Director’s Cut)

                But I'm a Cheerleader (Director's Cut)


                “But I’m a Cheerleader (Director’s Cut)” is a cult classic satirical romantic comedy film, presented in its most complete and visionary form. Directed by Jamie Babbit and originally released in 1999, this director’s cut version provides audiences with an expanded glimpse into the colorful and eccentric world of Megan Bloomfield, who, despite being a cheerleader with a boyfriend, is sent to a conversion therapy camp to “cure” her lesbian tendencies. With its vivid pastel aesthetics and a blend of humor and heart, this film challenges the conventions of gender and sexuality, becoming a bold statement on LGBTQ+ identity and acceptance.

                In this enhanced version, viewers are privy to additional scenes that deepen the emotional resonance and sharpen the satirical edge for which “But I’m a Cheerleader” has been praised. The ensemble cast, including Natasha Lyonne as Megan and Clea DuVall as Graham, deliver performances that capture the essence of teenage angst mixed with the quest for self-discovery. Their journey is underscored by a witty script that, in this director’s cut, remains as relevant as ever in a society still grappling with the dynamics of sexual orientation and gender expression.

                Extras included in the director’s cut feature revealing commentaries and behind-the-scenes looks that provide context to the film’s production and the obstacles overcome in order to bring such a provocative story to the screen. Fans old and new will appreciate the care taken in this restored edition, which not only preserves the original theatrical experience but also honors the director’s unadulterated artistic vision. “But I’m a Cheerleader (Director’s Cut)” is not only a milestone in queer cinema but a cherished narrative that continues to inspire and entertain audiences with its heartfelt humor and unabashed celebration of love in all its forms.

                Tackling Taboos: How ‘But I’m a Cheerleader’ Confronts Controversy

                To dare is to do, and ‘But I’m a Cheerleader’ dared with pompoms held high. It touches the untouchable, speaks the unspeakable, all under the guise of giggles and guffaws. How?

                • Facing the fire: no subject too sacred.
                • The dive into controversy head-first, no arm floaties in sight.
                • From the mockery of conversion therapy’s dark dogma to the trials of teenage turmoil.
                • The minefield of making ‘But I’m a Cheerleader’ in 1999.
                • Taking the temperature of the times: why Babbit’s bite was risky business.
                • The societal shocks—emotional abuse pushed under the performance of “therapy” (one poor soul confined to a doghouse for disobedience).
                • The film as a flickering flame of relevance.
                • Illuminating where we stand, and sometimes stumble, in today’s socio-political sphere.
                • Are the echoes of ‘But I’m a Cheerleader’ in the halls of modern morality still thunderous?
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                  The Legacy of Laughter: Comedy’s Role in the Cultural Impact of ‘But I’m a Cheerleader’

                  When the world gets too grave, leave it to ‘But I’m a Cheerleader’ to tickle the tombstones. The defiant sparkle of its slapstick might mask a mission—establishing comedy as not merely court jester, but also cultural commentator.

                  • Laughter, the legacy.
                  • The velvet glove of humor that packs an iron-first lesson.
                  • Reflections on why giggles resonate across generational chasms.
                  • Comedic craft: frivolity with function.
                  • A dive into the quandary of puns, parodies, and pathos.
                  • The alchemy between the witty wisecracks and the weighty whispers.
                  • Humor as healing.
                  • Thought leaders’ musings: the transcendental power of a chuckle.
                  • Comedy not just as distraction, but as a revolutionary decree—a nudge to norms and a tickle to tradition.
                  • Audience Adoration: The Unshakable Fan Base of ‘But I’m a Cheerleader’

                    It’s the vigor and vitality of its devotees that enshrines ‘But I’m a Cheerleader’ in the annals of adoration. Let’s sift through the fanfare fabric, unraveling the threads that tether heartstrings to this surprising symphony of sass.

                    • Fan expression: love spelt in art and action.
                    • The mosaic of fan art, the symphonies of subreddits—adoration as an art in itself.
                    • Expression as exhalation: the shared breath between film and follower.
                    • Testimonials from the trenches.
                    • Personal stories of impact: how ‘But I’m a Cheerleader’ didn’t just entertain, but enlightened and empowered.
                    • Voices from the void: when testimonials transcend the screen.
                    • Sustaining the cheerleader chant—diverse, yet unified.
                    • From the fringes to the frontlines: how fans of varied visages find solace in ‘But I’m a Cheerleader’s’ spectacle (mirroring the universal appeal of a star like Marjorie de Sousa).
                    • A Look to the Future: What ‘But I’m a Cheerleader’ Teaches Filmmakers Today

                      The echoes of ‘But I’m a Cheerleader’s’ boldness bounce off the bay of tomorrow, whispering wisdoms to those with a camera in hand and story in heart. What might be gleaned from the gusto of Babbit’s beautiful bedlam?

                      • Lessons from the land of lavender and lemon.
                      • The whispers of whimsy and wails of audacity—what might budding Babbitts take to their toolboxes?
                      • Subversion as a staple, never a sidestep—boldness bearing future fruit.
                      • Emergent narratives: the ‘But I’m a Cheerleader’ whisper.
                      • Surveying the storytelling landscape: where does ‘But I’m a Cheerleader’ echo among the novelties and nuances?
                      • How the playbook of ‘But I’m a Cheerleader’ might prime the presses of portraitures yet painted.
                      • Call and response: the future of cinematic comedy.
                      • A gaze into the crystal ball—will future funnies find form in ‘But I’m a Cheerleader’s’ forge?
                      • Predictive prose: can comedy hold command in conversations yet to come?
                      • Conclusion: Why ‘But I’m a Cheerleader’ Continues to Cheer On

                        As curtains close, and spotlights dim, the sprightliness of ‘But I’m a Cheerleader’ pirouettes on the stage of significance for those who’ve felt its embrace. It’s a rhapsody that refuses to relent, echoing through alleyways and academy lounges alike.

                        • A cult classic: summarized.
                        • Enshrining ‘But I’m a Cheerleader’ in cinema’s celestial sphere: a legacy enlivened and well-loved.
                        • A recap of the rainbow that resonates—a tale that traverses time.
                        • The undying dialogue.
                        • The yarn it weaves continues to tangle with hearts and herald change.
                        • An elegy to endurance—why Megan and the merriment matter today, tomorrow, and beyond.
                        • Charting the course of conversation.
                        • The prospects of ‘But I’m a Cheerleader’s’ teachings—tomes in the making of tomorrow’s texts.
                        • How the humor and happenstance of Megan’s mayhem molds the mosaic of our musings on identity.
                        • From its humble beginnings to its regal roost in the realms of cult and culture, ‘But I’m a Cheerleader’ vindicates that the verve of a vision—no matter how varnished in visual vibrance and vaudeville—can volley a volley that vibrates vitally in the veld of the everlasting zeitgeist. A tribute to the trailblazers, the trendsetters, and each trembling teen in similar sneakers to Megan’s, the film is a flag flown high—a beacon for barer truths in a sport of shadows and simulacra.

                          And though much has transformed since Babbit’s bright-eyed venture first flickered onto screens, the themes of ‘But I’m a Cheerleader’ maintain their magnetism, as do the methods and machinations. Like a Martin Landau character meticulously crafted, it spans the canvas of cultural critique with credibility and color that cannot be camouflaged.

                          Such is the enduring allure, the resplendent resilience of ‘But I’m a Cheerleader.’ Its cheer echoes, inviting us all to rally behind the laughter, the legitimacy, the love—a timeless testament that everyone, indeed, deserves to be a cheerleader.

                          “But I’m a Cheerleader” Unwrapped: Trivia and Tidbits that Will Have You Cheering!

                          Cheer-tastic Origins

                          Hold onto your pom-poms, folks! “But I’m a Cheerleader” didn’t just pop into existence; it spun its way out of a whirlwind of creativity and a touch of controversy. So, let’s take a quick jog down memory lane. Released in 1999, this flick quickly high-kicked its way into cult classic status with its satirical take on a cheerleader who finds herself unwittingly in a conversion therapy camp. Talk about shaking up the spirit stick!

                          Casting Quirks

                          Oh, you thought the “Pitch Perfect 3” cast had a fascinating roster? Well, get this: The casting choices for “But I’m a Cheerleader” were nothing short of a home-run hit. We’re talking indie film darlings galore, with Natasha Lyonne leading the cheer squad and Clea DuVall bringing her signature brooding coolness. Now, imagine blending the ensemble quirkiness of our beloved Barden Bellas with the edgy humor of “But I’m a Cheerleader”. That’s a crossover event we’d kill to see!

                          Director’s Vision

                          Alrighty, let’s gab about the visionary behind the scenes. Jamie Babbit, who directed this gem, had the uncanny ability to mix campy fun with social commentary—imagine if Emma Seligman of “Shiva Baby” fame decided to lead a cheer squad through a satirical world of teenage angst and identity struggles. What you get is a movie with more layers than a Texas-sized meringue pie and the kind of cult status that indie directors dream of.

                          Style and Substance

                          You might think “But I’m a Cheerleader” is all fun and games with its cotton candy aesthetics, but let me tell you, it’s got substance too! With its over-the-top outfits and a color palette that has more pink than a Function Of Beauty shampoo bottle, the film doesn’t shy away from tackling hefty topics with a smirk and a wink. The visuals are as unique and bold as custom-blended hair care products: they’re crafted with intent and defy the mainstream.

                          The Legacy Lives On

                          Who’d have thunk it? Over two decades later, and “But I’m a Cheerleader” is still doing high kicks in the cultural zeitgeist. It’s more than just a movie—it’s a rallying cry for non-conformity, and a cheeky middle finger to anyone who’s ever tried to put us in a neat little box. So, grab your varsity jacket and your sense of humor, ’cause this is one cult classic that’s still got pep in its step!

                          In summary, “But I’m a Cheerleader” is a cheer-tastic rollercoaster ride of laughs, life lessons, and a liberating dose of defiance. And if that’s not enough to get you doing splits, well, you might want to check your cheer-o-meter!

                          Is but I’m a cheerleader inappropriate?

                          Oh boy, “But I’m a Cheerleader” definitely has its cheeky moments! It’s rated R for sexual content and language, so it might be a bit too risqué for the kiddos. Think twice before you let younger viewers cheer along.

                          What is the plot of But I’m a Cheerleader?

                          Now, the gist of “But I’m a Cheerleader” is kinda like the classic “girl meets girl” with a quirky twist. Megan’s your typical cheerleader – pompoms and all – who gets sent to a conversion therapy camp when her folks suspect she’s gay. Plot twist! She finds love and self-acceptance where she least expects it.

                          Who created but I’m a cheerleader?

                          The brains behind the film is none other than Jamie Babbit, who directed this satirical romantic comedy. Put simply, Babbit’s not just any ol’ director; she’s got a knack for storytelling that tickles your funny bone while making a point.

                          Who is the actress in but I’m a cheerleader?

                          Natasha Lyonne stars in “But I’m a Cheerleader,” and boy, doesn’t she just own the role of Megan? She’s got the confused cheerleader thing down pat, and ya just can’t help but root for her.

                          How old was Megan in But I’m a cheerleader?

                          In “But I’m a Cheerleader,” Megan is supposed to be 17, fresh-faced with her whole life ahead of her. And wouldn’t ya know, getting sent to that camp throws her for quite the loop!

                          What cheerleader doesn t wear a bra?

                          Heads up! There’s a scene in “But I’m a Cheerleader” where Megan doesn’t wear a bra, which is quite the taboo according to the camp rules. Scandalous, eh?

                          Does but I’m a cheerleader have a happy ending?

                          Well, I won’t spoil the fun, but let’s just say “But I’m a Cheerleader” wraps up with some warm fuzzies. Sure, it’s a bumpy ride, but you might end up with a smile on your face when all’s said and done.

                          What are the stereotypes in but I’m a cheerleader?

                          Stereotypes, you ask? “But I’m a Cheerleader” uses ’em like colors in a paintbox – from macho jocks to ultra-femme gals – but all to poke fun at the absurdity of trying to fit folks into neat little boxes.

                          What age is Natasha Lyonne?

                          Natasha Lyonne, the talent behind Megan, was born in 1979, so you do the math on how old she is! Just remember, Hollywood’s got a thing for playing younger on screen.

                          Where did they film but I’m a cheerleader?

                          The filmmakers of “But I’m a Cheerleader” took the cameras to California, capturing the story’s queer conversion camp and its offbeat vibe right in sunny LA County.

                          Where can I watch but I’m just a cheerleader?

                          You’re in luck! “But I’m Just a Cheerleader” is ready for streaming on multiple platforms. So grab some popcorn, plop on your couch, and get ready for a rollickin’ good watch—just check your favorite service to see if it’s available.

                          Is Jan straight but I’m a cheerleader?

                          As for Jan, the jury’s out – the whole film’s about questioning and discovering, but I won’t give it all away! Let’s just say, Jan’s journey is interesting, for sure.

                          Who plays Hilary in but I’m a Cheerleader?

                          Melanie Lynskey plays Hilary, and ain’t she just a hoot? Hilary’s the picture-perfect cheerleader… on the surface. But dive deeper, and Lynskey brings out all the layers in a performance you won’t forget.

                          Who played Jan in But I’m a Cheerleader?

                          Clea DuVall brought Jan to life, giving us the lowdown on the misfit who’s got more to her story. DuVall nails it, and really, could we have expected anything less?

                          Are Clea DuVall and Natasha Lyonne friends?

                          Are Clea DuVall and Natasha Lyonne friends in real life? You bet they are! They’ve been buddies since their “But I’m a Cheerleader” days, and that friendship’s the real deal, folks.


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